I went to my town's library book sale for the first time last year, and realized what a treasure trove this event was. Paperbacks $1-2, Hardcovers $3? You can't find much better prices than that. This year I spent a whopping total of $13 for six books, all of them in almost new condition. I can't wait to read them, but first I have to get through another six hundred pages of Game of Thrones. Why do I do this to myself?
In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe's wife, Violet, attacks the girl's corpse. This passionate, profound story of love and obsession brings us back and forth in time, as a narrative is assembled from the emotions, hopes, fears, and deep realities of black urban life.
Jazz is the story of a triangle of passion, jealousy, murder, and redemption, of sex and spirituality, of slavery and liberation, of country and city, of being male and female, African American, and above all of being human. Like the music of its title, it is a dazzlingly lyric play on elemental themes, as soaring and daring as a Charlie Parker solo, as heartbreakingly powerful as the blues. It is Pulitzer Prize-winning novelist Toni Morrison at her best.
Open Absurdistan and meet outsize Misha Vainberg, son of the 1,238th-richest man in Russia, lover of large portions of food and drink, lover and inept performer of rap music, and lover of a South Bronx Latina whom he longs to rejoin in New York City, if only the American INS will grant him a visa. But it won't, because Misha's late Beloved Papa whacked an Oklahoma businessman of some prominence. Misha is paying the price of exile from his adopted American homeland. He's stuck in Russia, dreaming of his beloved Rouenna and the Oz of NYC.
Salvation may lie in the tiny, oil-rich nation of Absurdistan, where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as Minister of Multicultural Affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century.
Populated by curvaceous brown-eyed beauties, circumcision-happy Hasidic Jews, a loyal manservant who never stops serving, and scheming oil execs from a certain American company whose name rhymes with Malliburton, Absurdistan is a strange, oddly true-to-life look at how we live now, from a writer who should know.
Rebecca Lee, one of our most gifted and original short story writers, guides readers into a range of landscapes, both foreign and domestic, crafting stories as rich as novels. A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.
One of this century's leading works on Zen, this book is a valuable source for those wishing to understand its concepts in the context of Japanese life and art. In simple, often poetic, language, Daisetz Suzuki describes what Zen is, how it evolved, and how its emphasis on primitive simplicity and self-effacement have helped to shape an aesthetics found throughout Japanese culture. He explores the surprising role of Zen in the philosophy of the samurai, and subtly portrays the relationship between Zen and swordsmanship, haiku, tea ceremonies, and the Japanese love of nature. Suzuki's contemplative discussion is enhanced by anecdotes, poetry, and illustrations showing silk screens, calligraphy, and examples of architecture.