Friday, February 8, 2013

Henri Bendel Is Beckoning With New Arrivals

So guess what I found in my inbox today? That's right. Henri Bendel New Arrivals. I knew that I shouldn't. I knew that it would only send me into a downward emotional spiral. But I did. I'm not proud of it, but I clicked. And Oh Lord. They've outdone themselves again. Amongst the mixed squeals and sobbing, I felt the need to express my suffering and ecstasy through poetry. I warn you. This may be the most jam-packed with feels poem I have ever written. Also the worst. Also, don't even try to look for a rhyme scheme.



It's just one click away,
the feel of unwrapping presents on christmas day
but why do I have to pay
and why is my birthday so far past May?
Pages upon pages of leather and silk goods
there's a handbag for every one of my multiple moods
A crystal bow headband, a purse for the train?
Perhaps a fine scarf, in a deep purple stain
Bendel, that rascal, he taunts and he calls
He seduces with luxury items you simply cant find at the malls
Look here, a deco bow bangle
Look there, a floral luggage tag!
My emotions I must wrangle,
my shopaholism makes my spirit sag
The prices send me reeling
but I wont consider stealing
I'll simply eat my cares away
and hope to own these items, some place, some day.


I really hope college admissions don't find that.

But it would be selfish of me to keep all that luxury to myself, so feast your eyes!




 The Jetsetter To Die For Drawstring







The Bamboo Stripe Barrel






The No. 7 Small Blocked Barrel




Disturbed Stripe Graphic Hatbox Wheelie





Tied Crystal Leather Headband


I refrained from including the prices so you wouldn't have to suffer as I have suffered. 

Saturday, February 2, 2013

OST Obsession: Samurai Champloo

Let me paint you a little vignette of my night:
Gilly Hicks sweatpants, sailing team sweater, no socks as usual. My pompom dog lies under my desk, my saxophone abandoned on the floor. I hold a Ticonderoga in my hand, printer paper in my lap, and my eyes filled with the hope of drawing a self-portrait that didn't make me want to cry. The Samurai Champloo Soundtrack fills the room with it's mixture of piano, beats, hip hop, and soulful melodies. So basically, I'm grooving out. 

BUT I DIGRESS.
I watched this show a while back---like, a year maybe? And although I fell in love with the show I didn't really appreciate the soundtrack as much as I should have. For you people out there who aren't otakus and actually have lives instead of sitting at home and watching anime, let me enlighten you as to what exactly Samurai Champloo is.

Awesome.
Would perhaps describe it.
But the plot is:
A teenage girl named Fuu is a waitress at a restaurant in like, Edo? era Japan. (Not so great with the Japanese history, don't take my word.) You presume she has no family. And she kind of has an attitude. 
Some sword-wielding hooligan named Mugen with puffy hair and super-skinny legs is in the same town. He wanders into Fuu's restaurant and says he'll take care of some thugs that are causing trouble for 50 dumplings. He ends up getting 100 dumplings and slicing up a ton of baddies in some cool samurai/break dance fusion style of fighting. It involves a lot of spinning on his head, in any case. 
An elegant wandering samurai named Jin is in another part of town. He wears glasses, in case you wanted to know that. He confronts some guys that are being big ol' bullies and basically the point of the scene is so you know he's super awesome too, except in a very refined way.
Jin ends up in the restaurant. Events occur. Some pyromaniac sets the place on fire. Jin and Mugen are caught and to be executed at sunset, and Fuu saves them. Thus begins the plot, where they have to accompany her to find the "Samurai that smells of sunflowers". Whatever that means.

IN ANY CASE.
The whole aesthetic of the show is this very cool, funky, hip-hop vibe going on while the story takes place in basically the olden days. It works, believe it or not. And this theme translates over to the music. Actually, I almost feel like the whole point of the show is to set the stage for the music. There is almost never a scene where there isn't music playing. So the music is this very cool hip-hop style, and it lends a very interesting feel to the show. So I searched Grooveshark for the music and picked some of my favorites from the dozens of songs in the show's OST.

1.) Shiki No Uta
I would just like to say that this was the only song of the OST that I added to my Grooveshark when i first watched the show. It's the end theme, and the rising and falling, plaintive vocals pair really well with the beat. I just can never get enough of this song.

2.)Deeper Than Words


3.)Kujaku
(While the drum is nice if you want to get to the actual riff skip to 38 seconds.)

4.)Sanctuary Ship


5.)Aruarain Dance
So I forgot about this one, I found it a few weeks ago on the Champloo tumblr tag. Someone extended it to be like an hour long and changed the tone, they call it the homework edit, so if you're doing your homework it is actually really nice to listen to in the background.)

So there are so many more great songs on the Samurai Champloo soundtrack, these are just a sampling. The show is so great as well, it's very stylistic. It's directed by the same guy that did Cowboy Bebop, which is one of my favorite shows, and it has the same kind of focus around music to set the mood. Sorry for my complete lack of eloquence in this post, I'm hungry. 
....Because that makes sense.

"The Fall" Review



I recently watched the movie The Fall directed by Tarsem and starring Lee Pace and Cantinca Untaru. I can honestly say that this movie is now settled solidly up on my favorite movies list. It premiered in 2006, and mainly fell under the radar, which was quite a shame. I personally found it at the end of a long journey of Lee Pace fangirling that led me through Breaking Dawn and Pushing Daisies, and deposited me at this movie.
This movie is really what I would call a work of art in all aspects of the phrase. The costume design, the music, the landscapes, the character development, I thought everything was right on point. The story takes place in 1915 in Los Angeles, the era of silent movies. The main character is a stuntman name Roy (Lee Pace) who winds up in the hospital after breaking both his legs while doing a stunt. Alexandria (Cantinca Untaru) is a five year old immigrant who broke her arm when she fell picking oranges, and therefore winds up in the same hospital as Roy. The two meet by chance and Roy forges a fake friendship with her, designed to manipulate her to attain pills for him so he can go through with suicide; he's heartbroken after losing his girlfriend to the star of the movie. As incentive Roy offers to tell her a story, and here is where the other dimension of the movie is introduced. Roy weaves a grandiose tale of five bandits, all seeking revenge against the invidious Governor Odious, who wronged all of them. As Roy tells the story Alexandria envisions it, drawing on familiar faces and objects to create the fantasy world. The movie switches back and forth between the epic story and the mundane hospital, and as the movie goes on, these two dimensions become more and more entwined and bleed into each other. 


A strong point of the film was how the subtle feelings and relationships in the hospital were played out more obviously in the story Roy was telling, the strongest case for this being the relationship between Alexandria and Roy. The attitudes of the characters towards each other in the beginning seem disinterested; they're both stuck in the hospital and likely bored out of their minds. Roy soon begins to see her as a tool to get pills, but you realize very soon that Alexandria is beginning to see him as a father figure; she tells Roy that her father is dead. There is a moment in the movie where she asks Roy why he narrates the Red Bandit in an accent, and he informs her that it's supposed to be her father. She tells Roy that she wants the Bandit to speak like him, and shortly after the bandit removes his mask and  you see that she envisions him as Roy. Although throughout quite a bit of the movie Roy seems to see her only for what she can do for him, Alexandria's view of Roy grows, coming a time in the movie where she tells Roy that she is his daughter in the story. After Alexandria falls and hurts her head trying to get morphine for Roy, he comes to her room drunk and finishes the story, having all the characters die. He is about to make the Red Bandit die, but Alexandria protests, and this is the scene where Roy seems to accept Alexandria's view of him; he tells her that the Red Bandit isn't really her father, and she tells him simply that she loves him. This love seems to heal his broken heart, and he gives up on suicide. What I found out after I watched the movie amazed me: almost all of Alexandria's parts were unscripted. To me it made the whole movie that much more sincere.


I may have died a little at this.


 

 The costume design in the movie was done by  Eiko Ishioka, one of Japan's most well-known graphic designers. The saturated colors and eye-catching designs of the outfits in the fantasy story are a sharp contrast  to the dull and plain outfits in the hospital, and they contribute a great deal to the artistic quality of the film, as well as to the personalities of the characters themselves. I kept noticing throughout the film how well the palettes of each of the character's outfits went so well together, and how they complemented each other.



The outfits of Nurse Evelyn never ceased to amaze me. They are completely fitting to the story Roy is painting and Alexandria imagining; over-the-top in the most elegant and beautiful way. I also love the fact that they call attention to themselves; so often in movies the outfits are supposed to go subtly unnoticed, simply blending with the scene and not getting in the way of anything that is happening. The costumes' roles in this movie were to add to the visual beauty, not to go unnoticed, and I loved that.

A fun fact I noticed only the second time I watched the film- the armor of Odius's men is the same as the gear of the man working the X-Ray room in the hospital. This is a perfect example of what I love about this movie; ideas taken from real life are swirled around in a five-year old's head and spit into this story she's imagining in the way she really feels about them. She was afraid of the X-ray operator, and so that fear was amplified in the story. This happened with the feelings of both characters, enabling you to really feel like you could understand their feelings so much better because you were seeing them portrayed through a different medium.


I would just like to quickly say that I thought the music selections for this movie were perfect. There doesn't seem to be an official sound track for the movie that I can find, but I do know that the theme song was Beethoven's Symphony No. 7 in Allegretto. It seemed an odd choice to use Beethoven as a movie soundtrack, but it fits into the movie so perfectly; it adds to the grandiose air of the story. I would also like to note this scene:

The way the music kicked in, echoing what Nurse Evelyn was saying almost as if she was singing the lyrics, was just a gorgeous touch. I loved how the music in the movie really interacted with what was going on, and I love how the camera zooms out a few times. I'd like to note that Tarsem is a music video director, and I thought that he really brought that aspect to the movie in an interesting way.





I could honestly go on and on about this movie for hours and hours and pages and pages, but I would just like to reiterate that it really is one of my favorite movies. I went online after I watched it, and read reviews about, and I was honestly so surprised because people were, like, HATING on this film. That's why I wanted to write this review in the first place- I wanted to contribute my positive thoughts on the movie. It's obviously not a typical movie: it's not supposed to be. I feel like to watch it you have to relax your view of what a movie is; like I said before, I consider this art. The costumes, the settings, the actors, the music, it's all coming together to create something beautiful and stunning, not to just support a story line. I felt like the movie was equally about those things. To me, it seemed like something made out of love, something that didn't want to be mass marketed, something that was created for the sake of bringing something beautiful into being, and I completely respect that. Because of these things, I felt a sort of sincerity from the film that I don't feel from other works. I could feel Tarsem in every single aspect of the piece, and I didn't mind that in the least.


Wednesday, January 23, 2013

Border World

So, I've been musing with the idea of writing a poem called "The Border World" just because I think it sounds kind of cool. I started tonight and wrote eight lines, but the last four lines I inadvertently slipped into rhyming; I actually ended up liking the last four lines better so I crossed out the first four.

The Border World

A border world that floats between
What you see before you and your dreams.
A snow-blank page where reality resides
Amongst the inky black behind your eyes.

I have to figure out where to go with this- I think it's becoming about writing? And also is amongst a word because it keeps underlining it in red....

Thursday, January 10, 2013

Happy Belated Birthday, Hayao Miyazaki!

These past couple days I've been bedridden with a sore throat and sequestered from any kind of interesting activity around the house, so I picked up a piece of printer paper and a ballpoint pen and drew Haku from Spirited Away. Only later did I realize that it was the amazing creator of that film's birthday a few days back, so I decided to post this as birthday tribute. I could go on for pages waxing romantic about the astounding affect Hayao's films have had on me since childhood, and I probably will in the future, but seeing as it's late at night I'll just leave you with this.


Tuesday, January 8, 2013

Girl In a Shawl

Exactly five seconds after I try to be productive....


Asymmetrical




Fashion Sketch


Ruffles



Evil Eye

This is actually really creepy to have in my sketchbook....

The Girl In the Purple Dress


Emma Stone Is Eating Her Fingers


Mister Jazzy

I guess it's obvious by now that I learned how to scan my sketchbook. Hehe.


Wringing Out My Hair


I drew this a few weeks back- one of my recent excursions into the world of sketching.

Saturday, December 22, 2012

My Place


The rhythm of the waves beneath your feet.
The soft whisper of the wind through your hair.
The open sea to roam, no road, no street.
The light dancing on the water, the glare.
You trim in your sails and you’re on your way.
The sea, the sky, your whole world is dyed blue.
Trust in the waves, they’ll lead you home someday.
You carry no map, for the wind is true.
The land you knew is a forgotten friend.
Long ago swept to the back of your mind.
It fades into the sky and starts to blend.
You have moved on, for the ocean is kind.
The breeze swirls you in a gusty embrace.
No need to worry, you have found your place.

Abandoned


After being abandoned again and again,
there comes a time when you start to expect it.
You hold people loosely in your heart's grasp,
so as to let them easily slip through your fingers.
But then there are the ones,
that make you want to clench down with all your strength
even though you know you can't.
You never can.
Because however strong your grasp,
they will one day slip away too.
So for these people
you spread your hand out wide,
even though it hurts you inside,
even though all of you is screaming to hold on,
because you know it will only hurt more
when they walk away on their own.

Wednesday, January 4, 2012

Rooster Freewrite

So at the beginning of writing class we sometimes do a freewrite, where you get a prompt and you have to just go with it for 20 minutes. For this freewrite I had to start with the sentence ,"Why don't you learn to talk to a rooster?" Hope you like! And post any thoughts you have below where it says comment. I want feedback!


“Why don’t you learn to talk to a rooster?” she asked in her lazy Southern drawl. She was perched on one of the many large hay bales that were piled inside the barn. Her hair swung around her shoulders in two long braids, blending against the color of the hay, and her worn overalls hung loosely on her, rolled up at the ankles.

Johnny sat across from her, eyes downcast as he fiddled with a piece of straw. He lifted them when he said, “Sally, there’s no way to talk to roosters. They’re not humans.”

“I can talk to them,” Sally retorted. “They tell me stuff. Like how much they like biscuits. The ones my Ma makes.”

He liked to think she was simply a free spirit. That she just thought differently from everyone else. But moments like this made him wonder if maybe it wasn’t a barn she should be in. If maybe it was an asylum.

“Sally, come on. Don’t be ridiculous.”

Her eyes filled with tears, and she stood up unsteadily on the bale. “You don’t believe me. No one believes me. They think I’m crazy.” Sally’s chin was trembling, her teeth chattering against eachother. Her whole body began shaking, her fingers clenched into tight white fists. Her mouth opened into a dark angry rectangle, and her lips pulled back as if to scream. Johnny tensed, bracing himself for the onslaught of noise. But it never came. He looked over to see her crumple, and in that moment he couldn’t help but see her as one of those small, delicate birds you capture, only to see it die a moment later, victim of it’s own tiny heart racing out of it’s control.

Sally lay atop the hay, motionless, one of her arms bent beneath her. Johnny threw himself across the hay bail separating them, his breath held unknowingly captive in his chest. Only as he approached did he see Sally’s back moving as she breathed, and he exhaled, kneeling down beside her.

“Sally, what happened? What’s wrong?”, Johnny asked hurriedly. Sally stared straight ahead, her clear, creek-colored eyes glazed over the shade of an overcast sea. “I am, aren’t I?” she asked in a near whisper, turning her head in a creaking way, a way painful to watch. Like a possessed doll in a horror film.

“You are what, Sally? What do you mean?” Johnny’s eyes were creased with worry and incomprehension.

“Insane.”, said Sally, slowly, as if tasting the word for the first time. “Insane,” she said again, this time with a slight curling up of her lips.

Johnny froze. His mind went blank. How could he say that yes, yes, you are insane Sally.  How could he possibly tell her, Sally, you scare me. So he chose denial. “Sally, stop. You know your not insane.”

“I am to you. Not to myself I’m not. But to you, to the rest of the world, I am considered a lunatic. And if the whole world sees you as something, you are that thing, aren’t you?” She said this as an accusation, not a question.

Johnny grabbed for words, but they wouldn’t come. “I-I..” He stuttered.

“You just don’t understand me, Johnny. Nobody understands me.” She cocked her head, her smile growing wider. “But I pity you, Johnny. I really, truly do. If only you could see what it’s like on my side. The world’s a much more interesting place, you know that? People like you, who have no imagination, you just see the world as it is. Cold hard facts. That’s no fun, now is it? I see what I want to see. For example,” she hopped up suddenly, and twirled around, perilously close to the edge. “You would say we’re on a bale of hay right now, wouldn’t you?” She looked at Johnny expectantly. When he did not respond, she repeated more loudly, and with a creeping tone of malice, “Wouldn’t you?” At this Johnny responded with a quick nod of his head, all he could manage in his current state of shock.

Sally smiled again. “But you see,” she said, with an air of explaining a very simple concept to an ignorant little child, “This isn’t a hay bale at all.” She accentuated this fact by wagging her finger and shaking her head. “This is actually a palace, and we’re standing on the rooftop. It’s a rooster palace, by the way. And all day and all night we feast on biscuits. Doesn’t that sound fun, Johnny?”

At the sound of his own name he finally broke out of his shocked stillness, and before thinking, he blurted out, “ Sally, stop, you’re scaring me.”

Sally froze mid-twirl. She pivoted to face Johnny, her eyes incredulous. “ I’m scaring you? Johnny, you’re the one scaring me. Do you realize how horrifying it is that you can’t see what’s in front of your own eyes! Johnny, do you even know that I’m a rooster?”

Johnny’s eyes widened, and he started to slowly back away from the crazy girl across the hay bale from him.

Sally scoffed, a hard sound of disbelief. “You know what? If you think so bad that I’m making this up, Ill prove it. I’m a rooster, and roosters can fly.” Sally turned to face the point where the closely packed yellow hay stopped, and where there was only twenty feet of empty space between her elevation and the floor. Then the realization of what Sally was about to do was a freight train hitting Johnny from behind, knocking the breath from his lungs and propelling him forward. On the air that whooshed out of him was a cry of desperation, a plead of “SALLY! DON’T!”

But it was too late. His friend, or the body of her, raised her arms, and with a look of determination, flung herself from the edge. And Johnny watched amazed, as she seemed to linger in the air, a bird in flight. But it was only a passing second, only a projection of his hope. For a blink later, the spot where she just was was empty, and he heard a sickening thud on the floor below. He couldn’t look. He didn’t want to know. Instead he sunk to his knees, put his face in his hands, and wept.

Sunday, January 1, 2012

Teen Ink

So guess what? Good news! A week or so ago I submitted Gelato, the personal narrative I wrote about a hot day in New York(Go to previous posts on the bar to the right and you can find it), to a website called Teen Ink  
http://teenink.com/ which is basically a huge website for teen writers that want to get their work out there. And the reason I'm happy is because MY PIECE GOT THE EDITORS CHOICE AWARD!!!!!!!!

yay.

But there's also a print magazine, where they put the best and top-voted pieces, so I want everyone reading this to vote for me please! It would mean so much. Really. It would. So heres the linksees and I hope you think my piece is good enough for five stars!

Thursday, December 29, 2011

Stone Soup Submission Update

So, I just got a letter from Stone Soup.... and I'm in the maybe pile.... Well, that's OK because I still have a chance of getting published, right? And I was heartened by the fact that more than 95 percent of the submissions are rejected immediately. So I guess I'm in the top five percent right?? YAY! So keep those fingers crossed and wish me luck!

Sunday, November 20, 2011

Stone Soup- YUM!

Okay everybody it's time for you to all cross your fingers and toes because I just sent in a copy of my poem "Lunar Musings" http://skyewrites7.blogspot.com/2011/02/lunar-musings.html in to Stone Soup, a children's writing magazine!! They'll tell me in four weeks if I'm getting published or not, and I'm kind of freaking outtt!!!

Thursday, October 6, 2011

1:11

1:11
It's a moment I'll never recapture.
I'll never recapture my eyes glancing
upon that clock,
And resting upon those numbers,
Glowing green.
I'll never recapture this feeling of calm,
Lying in my unmade bed,
with only the spiders to keep me company,
and my thoughts.
I'll never again hear the harmony of man and nature,
The soft padding of my fingers against
My phone accompanying the melody
sung by the crickets outside my
window.
Already it's gone, all of it,
Bleeding away, like words in the rain.
1:19

Saturday, May 28, 2011

Seasons Change

It's not spring yet.
It's not spring when the flowers bloom.
It's not spring when the grass grows lush and thick over the hills,
And when green sprouts from barren branches.
Its not spring when the dew of early morning casts a thin veil over the world.
It's not spring yet.

It's not spring until the ice of your frozen heart melts.
It's not spring until you can let new love into your life.
It's not spring until you can rise in the early morning, look out at the blooming flowers, the rolling green grass, the dewdrops on the ground,
and want to live.
Because the seasons don't change
Unless you change them.

Monday, May 23, 2011

Goodbye

A crystal droplet,
A shining tear.
Just one in a million
From all these years.

A crystal droplet,
A fragment of pain.
One bit of purity,
In a heart thats been stained.

A crystal droplet,
A final goodbye.
It falls to the ground,
As she closes her eyes.

Saturday, May 7, 2011

Different

Hey y'alls! At school we are having a poem contest on discrimination, and how it's wrong to discriminate. This is the poem I submitted, so cross your fingers and hope for me!


Different


Sitting in the back of the room,

The new kid.
He has his head hung low,
Back hunched,
As if ashamed of his existence.
He should be.

Doesn’t he realize he’s different?
Doesn’t he realize that no one wants him here?
Doesn’t he understand the looks the other kids give him?
Doesn’t he know why he’s never called on?

And so-
I hate him.
I hate his hunched back.
I hate his sorrowful eyes.
I hate his deep brown skin.
Because my friends do.
Because my parents do.
And what I hate most of all
Is that I don’t even know his name.

Tuesday, May 3, 2011

Lunare Riflessioni

Out of curiosity, I went on google translate and translated Lunar Musings into Italian. Reading it out loud, I just thought it sounded beautiful, so I decided to post it.

Si può dire quando si tratta di una luna piena
senza guardare il cielo.
E 'quando tutte le fotografie della vita,
non per lo spavento, ma in segno di riverenza.
E 'quando le maree salgono
per incontrare il cielo luminescenti,
e il potere della luna da solo
porta cielo e terra insieme.

Si può dire quando si tratta di una luna piena,
perché la neve brilla
con l'incandescenza riflesso della notte.
Grandi distese di polvere,
come specchi schiacciato una dea lunare
lasciò cadere dalla sua mano,
semplicemente per poter godere del gelido immagine di se stessa.

E quando si tratta di una luna piena,
si sono liberati dalle grinfie del sonno,
perché da qualche parte in fondo,
tu sai che questo è ciò che la bellezza è davvero,
e che avete bisogno di assaporarlo,
la rara bellezza di una luna piena.

Yay!

Hey every1! So you know that completely awesome poem that I posted a few days ago? Well surprise surprise-  
It won the environmental fair poem contest! Yay! And furthermore, my prize was a chair made out of skis! Who doesn't love that!?

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